Paris museum holds first show in China at Bund One Art Museum

"The Journey of Ink: Modern and Contemporary Chinese Paintings from the Musée Cernuschi" is showing at the Bund One Art Museum through January 5, 2025.

This is Musée Cernuschi's first exhibition in China, and also the first large-scale overseas collection of original Chinese paintings ever shown in the country.

Musée Cernuschi in Paris, is the largest and earliest established Asian museum in Europe. Since its founding in 1898, the museum has been dedicated to the study and collection of Asian art. Its first piece of modern Chinese painting or calligraphy was a calligraphic vertical scroll by the great thinker and reformer Kang Youwei (1858-1927).

Since the 1950s, the museum has collected hundreds of rare paintings by famous artists including Xu Beihong (1895-1953), Zhang Daqian (1899-1983), Fu Baoshi (1904-1965), Xie Zhiliu (1910-1997), and Zao Wou-ki (1921-2013).

Divided into nine sections, the exhibit features nearly 100 masterpieces by 36 renowned Chinese artists including Qi Baishi (1864–1957) and Pan Yuliang (1895-1977), charting the development of ink painting over the last century. The narrative arc spans from early modernist experiments at the dawn of the 20th century, through the enthusiasm for study in France during the 1920s and 1930s, to creative adaptations during wartime relocations and the post-war reintegration of Chinese artists into the international art scene. It concludes with a focus on the museum's recent acquisitions that reflect contemporary ink practices by Chinese artists.

In addition to the masterpieces, the exhibition is enriched with multimedia displays and archival materials, providing dynamic insights into the evolving techniques of ink painting and chronicling the museum's history of exhibitions and acquisitions.

One of the highlights of the exhibition is the life drawings created by Chinese artists who traveled to Paris following World War I, where they sought to deepen their engagement with authentic Western artistic disciplines. Among the pioneers were Xu, Pan, Sanyu (1901-1966), and Lin Fengmian (1900-1991), who immersed themselves in rigorous Western art education.

For example, Sanyu found kinship with the modernists of Montparnasse, captivated by the free-spirited environment of la Grande Chaumière studio. In his life drawings, Sanyu uniquely employed a Chinese brush and ink to delineate human figures, replacing the volumetric effects typically achieved through pencil shading with the fluid linearity characteristic of Chinese ink painting.

Likewise, Pan and sculptor Hua Tianyou (1901-1986) were thoroughly trained in the French academic tradition yet revisited the use of ink in the 1940s, creating distinctive figure works that harmoniously blended the precision of Western life drawing with the brushwork of Chinese painting.

If you go

Date: 10am-6pm, through January 5, 2025

Venue: Bund One Art Museum 东一美术馆

Address: 3/F, 1 Zhongshan Rd E1 中山东一路一号3楼

Admission: 70 yuan (Buy via Wechat mini program: 东一美术馆 for a discount )